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Stieglitz attracted, encouraged, and promoted a wide circle of photographers, writers, and artists of all types through his exhibition galleries and the publications he produced.O’Keeffe, who married Stieglitz in 1924, was to become one of the most celebrated and influential American artists of the 20th century.Together these artworks and documents offer a unique perspective on the communities of artists in New York and Europe in the first decades of the 20th century.O’Keeffe was a prominent painter who corresponded with other artists, and with curators, art collectors, and gallerists.Interested readers might start with Stieglitz’s January 20, 1916 letter to O’Keeffe, which begins, “My Dear Miss O’Keeffe: What can I say?
The couple wrote long and detailed accounts of their artists’ projects, the activities of their days, and their interactions with friends and other artists.
Nancy Kuhl, The Beinecke Rare Book and Manuscript Library, Yale University, talks with Choice about the Alfred Stieglitz/Georgia O’Keeffe Archive, an online archive documenting the prolific lives of Alfred Stieglitz and Georgia O’Keeffe.
Nancy Kuhl is Curator of Poetry of the Yale Collection of American Literature at the Beinecke Rare Book and Manuscript Library at Yale University; she is the author of exhibition catalogs, including, Intimate Circles: American Women in the Arts, and collections of poetry including Pine to Sound and Suspend.
After Alfred Stieglitz’s death in 1946, Georgia O’Keeffe sought to collect in New York all of his personal and professional correspondence and papers, clipping files, scrapbooks, photographs, publications, exhibition-related material, and other documentary evidence of his life.
In 1948, her friend Carl Van Vechten suggested to O’Keeffe that she place the Stieglitz archive at the Yale University Library, where it would join other important Modernist writers’ and artists’ papers in the Yale Collection of American Literature.